Max for Live · Ableton Live 12
VCA groups for Ableton Live.
Ride a whole group of tracks with one fader, without summing their audio. Then watch every member's waveform, beat-locked, in its own track color.
Everything that moves on this page is the device's own interface code running in your browser with a sample beat. Click it: tabs, zoom, faders and mutes all work. Double-click a fader to reset it.
How it works
One fader moves the whole group.
Put an Human Freefall VCA Link last on each track and give it a letter. Add an Human Freefall VCA Master with the same letter. The Master sends level only, so nothing is summed or rerouted, your volume automation stays exactly as written, and sends on each track follow the group.
Scope view
See the whole group, beat-locked.
Every linked track draws its waveform in its own track color, locked to Live's tempo. Stack them on one grid, split them into lanes, or sum them to see what the group really adds up to.
Zoom to a 1/4 note
Line up kick and bass by eye.
At 1/4 note the Scope shows the real waveform, not an outline. Drag across it to read the gap between two points in milliseconds at the song tempo. The sub here changes note every bar, and you can watch it settle in under the kick.
Bank view
Eight VCAs, hardware style.
All eight groups sit side by side with their name strips in group colors, a mute, an audio-taper fader and a loudest-member meter. Click a name strip to spill that group's channels, each with its shadow level lane and trim.
In your device chain
Two small devices. One big button.
The Master keeps Live's device view clean: one big button opens the console, and VCA Level and Mute stay on the strip for MIDI mapping, Push and automation. Each Link shows its channel's real post-VCA level, Peak or RMS.
Master · Scribble strip
Group color, name and a big Open Console button. Try the slider and Mute.
Master · Mini scope
The button becomes a live waveform of the whole group.
Link · Lane face
Shadow fader with post-VCA dB, trim and L/R meters. Switch Peak and RMS.
Link · Scope face
That one track's waveform, so you know the Link sees audio.
Make it yours
Your colors. Your layout.
Every Master keeps its own look, saved with your Live Set.
Specs
| Format | Max for Live audio effects (2 devices) |
| Groups | 8 (A to H), any number of tracks each |
| Fader | −∞ to +6 dB, audio taper, 0 dB at about 72% of travel |
| Glide | Every move and mute fades over 1 ms to 10 s |
| Scope | Overlay, Lanes, Sum · 1/4 note, 1 bar, 4 bars · drag to measure |
| Meters | Peak or RMS per Link, loudest member per group |
| Automatable | VCA Level, Mute, Group, Fade · Link Group, Trim, Meter, View |
| Requires | Ableton Live 12 with Max for Live |
| Tested on | macOS |
| Price | Free |
Set up in a minute
- Add Human Freefall VCA Link last on each trackAfter all other devices. Pick a letter, A to H.
- Add Human Freefall VCA Master anywhereMain is fine. Set the same letter in the gear panel.
- Click Open ConsoleRide the group, watch the Scope, spill the Bank.
Questions
Does it sum my tracks into a bus?
No. Each track keeps its own routing. Human Freefall VCA only changes level.
Will it overwrite my volume automation?
No. Live's mixer faders and their automation are untouched. The VCA works on top of them.
Can I map it to my controller or Push?
Yes. VCA Level and Mute are standard Live parameters, so MIDI Map, Push and automation all work.
Windows?
Not tested yet. It's built and tested on macOS with Live 12.
Free download
Ride the group. See the group.
Jose Santiago / Human Freefall
Free to create.
Made to stay Human Freefall.
Free for personal and commercial music use. Personal modifications are welcome. Reselling, rebranding or redistributing the device requires written permission. Your music remains yours, with no royalties or mandatory credit.
Download the freeware license ↗
Read the full license · Version 1.0
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